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Describe the problem with the new situation using a human resource lens.

Over the past few months, we have introduced a number of great benefits and tools to make us
more productive, efficient and fun. With the introduction of initiatives like FYI, Goals and
PB&J, we want everyone to participate in our culture and contribute to the positive momentum.
From Sunnyvale to Santa Monica, Bangalore to Beijing I think we can all feel the energy and
buzz in our offices.
To become the absolute best place to work, communication and collaboration will be important,
so we need to be working side-by-side. That is why it is critical that we are all present in our
offices. Some of the best decisions and insights come from hallway and cafeteria discussions,
meeting new people, and impromptu team meetings. Speed and quality are often sacrificed when
we work from home. We need to be one Yahoo!, and that starts with physically being together.
Beginning in June, were asking all employees with work-from-home arrangements to work in
Yahoo! offices. If this impacts you, your management has already been in touch with next steps.
And, for the rest of us who occasionally have to stay home for the cable guy, please use your
best judgment in the spirit of collaboration. Being a Yahoo isnt just about your day-to-day job, it
is about the interactions and experiences that are only possible in our offices.
Thanks to all of you, weve already made remarkable progress as a company and the best is
yet to come.
Jackie
You can find the complete article here: (Journalist Kara Swisher published the internal memo
from Yahoos HR director Jacky Reses online).
Swisher, K. All Things D. February 22, 2013
(http://allthingsd.com/20130222/physically-together-heres-the-internal-yahoo-no-work-fromhome-memo-which-extends-beyond-remote-workers/).
Assignment
In June 2013, Yahoo! announced to withdraw its telework policy. From June onwards, all
employees were expected to work onsite. Jacky Reses, HR director at Yahoo!, received a lot of
push back from employees. Reses is surprised because she believes that working from home is
clearly problematic. She hires you as her consultant and gives you the following instructions: I
need to support my own position better, but Id like to understand the position of the
employees as well. Eventually, I want a recommendation about whether or not I should stick
with my policy [to bring all employees into the office] or whether I should adjust this policy.
To complete this assignment, you will look at the problem from the perspectives of two actors,
each using a different frame. For the first actor, the employer including Jacky Reses, you use the
structural frame. For the second actor, the employees, you use a human resources frame.
Your assignment should consist of three parts:
A. Employer perspective on old situation Structural Frame
1. Problem. Describe what the problem is in the old situation, using a structural lens. In
other words, what is problematic for the employer when employees work from
home if you take a structural perspective?
2. Cause. What is / are the cause(s) of this problem? Use an OB model/theory to
explain what causes the problem for the employer.
3. Recommendation. How, using the structural lens, can this problem be solved? Make
sure that in your answer, you reflect on whether withdrawing the telework policy is
a good or a bad solution if you use a structural lens.
B. Employee perspective on new situation Human Resources Frame
4. Problem. Describe the problem with the new situation using a human resource lens.
More specifically, what is problematic for employees when they are not allowed to
work from home?
5. Cause. What is / are the cause(s) of this problem? Use an OB model/theory to
explain what causes the problem for the employee.
6. Recommendation. How, using the human resources lens, can this problem be
solved? Address whether re-establishing the former telework policy is a good or a
bad solution from a human resources lens.
C. Integration
7. Problem comparison. You have now insight in the problem according to two parties,
each using a different framework. What is most important to each party? Do the
parties have the conflicting or compatible interests?
8. Solution. Is there a way to integrate the two frameworks and come to a solution
that is satisfactory for both parties? Explain the extent to which your solution meets
the interests of each party, and how the solution fits within the structural and
human resource frame.
Important tips:
1. Make sure that you discuss the core assumption(s) of the structural frame (in question
1) and the HR frame (in question 4).
2. Make sure that you use OB models and concepts when you explain what causes the
problem (2 & 5). For instance, if you conclude that employees are demotivated because
they are not allowed to work from home, what OB model can help you explain this?
3. Make sure that your recommendations (3 & 6) follow clearly from the previous two
steps. In the first step you specify what the problem is, in step two you explain the
cause(s). Step 3 (recommendations) should be simple because you need a solution that
either intervenes in the causes or directly tackles the problem.
4. To clarify what Im looking for in the problem comparison (7), an example of two sisters
fighting over an orange might help. Both sisters want the orange and are therefore in a
conflict. Their interest might be the same, if they both want the juice of the orange to
lessen their thirst. But if one sister wants the peel to bake a cake and the other wants
the juice to drink, their interest are different and there is in fact no need for a conflict:
the problem can be solved easily by peeling the orange. In the Yahoo case, are the
interests of the two parties conflicting or compatible with each other?
5. The solution (8) follows from part 7. If you know what is important and problematic for
each party, you can search for a solution that meets the interests of both parties (or
meets them halfway). Make sure to look back at your OB concepts/models used before,
and check if these solutions make sense from an HR and/or structural lens.
Additional tips:
Several OB topics can help you analyze the problem from the two frames. You can use for
instance the literature and lectures on:
– Organizational Structure (Bolman & Deal Chapters 3 and 4)
– Motivation (B&D Chapter 6)
– Job design (Lecture 3 on motivation)
Optional background readings:
– De Menezes, L.M., & Kelliher, C. (2011). Flexible working and performance: A systemic
review of the evidence for a business case. International Journal of Management
Reviews, 13, 452-474.
– Groen, B.A.C., Van Triest, S.P., Coers, M., & Ten Weerde, N.W. (2018). Managing flexible
work arrangements: Teleworking and output controls. European Management Journal,
36, 727-735.
– Anderson, A.J., Kaplan, S.A., & Vega, R.P. (2015). The impact of telework on emotional
experiences: When, and for whom, does telework improve daily affective well-being?
European Journal of Work and Organizational Psychology, 24, 882-897.

Sociology in the News

INSTRUCTIONS
The purpose of this assignment is to get you to see the relevance of sociological theories and the concepts they have generated by linking them to events occurring around us on a daily basis. For this assignment, you will be provided with a number of different news stories that you will analyze using what you have learned so far in this class. You will choose THREE of the stories made available. For each news story, you will first provide a BRIEF summary of the article itself. You will then choose one of the main sociological perspectives that have been discussed, provide a definition of the perspective and talk about how we could understand the story using that particular lens. Please note, you may not use the same perspective for all three stories, but you may use it twice. The final step is to choose a concept that we have talked about in this course (a list is provided for you) and connect it to the article. Be clear in explaining exactly where you see the connections. Your discussion should include a clear definition of the concept you have chosen. Use the course readings to help you with this part of the discussion, being sure to site your sources.
The assignment should be presented in the form of a report. It should have a proper title page (be sure to include your name and student number, course name and number, the instructors name, and the date of submission). Each analysis should be 1-2 pages in length, typed, double-spaced using 12-point font. No introduction is required. Put your reference page last. Pay particular attention to your writing style, spelling and grammar since this will be taken into consideration in the marking.
EVALUATION
The assignments will be marked according to the following criteria: Is a complete and accurate understanding of the concept displayed? Has the news story been accurately read and summarized? Are the connections well-established and well-argued? Have all of the instructions regarding presentation been observed?

Fetal Alcohol Syndrome and Fetal Alcohol Effects

prepare essay summarizing this chapter:
Chapter 1: Effective Business Communication
Communication leads to community, that is, to understanding, intimacy and mutual valuing.
Rollo May

Introductory Exercises
Write five words that express what you want to do and where you want to be a year from now. Take those five words and write a paragraph that clearly articulates your responses to both what and where.
Think of five words that express what you want to do and where you want to be five years from now. Share your five words with your classmates and listen to their responses. What patterns do you observe in the responses? Write a paragraph that addresses at least one observation.
Communication is an activity, skill, and art that incorporates lessons learned across a wide spectrum of human knowledge. Perhaps the most time-honored form of communication is storytelling. Weve told each other stories for ages to help make sense of our world, anticipate the future, and certainly to entertain ourselves. The art of storytelling draws on your understanding of yourself, your message, and how you communicate it to an audience that is simultaneously communicating back to you. Your anticipation, reaction, and adaptation to the process will determine how successfully you are able to communicate. You were not born knowing how to write or even how to talkbut in the process of growing up, you have undoubtedly learned how to tell, and how not tell, a story out loud and in writing.

You didnt learn to text in a day and didnt learn all the codesfrom LOL (laugh out loud) to BRB (be right back)right away. In the same way, learning to communicate well requires you to read and study how others have expressed themselves, then adapt what you have learned to your present taskwhether it is texting a brief message to a friend, presenting your qualifications in a job interview, or writing a business report. You come to this text with skills and an understanding that will provide a valuable foundation as we explore the communication process.

Effective communication takes preparation, practice, and persistence. There are many ways to learn communication skills; the school of experience, or hard knocks, is one of them. But in the business environment, a knock (or lesson learned) may come at the expense of your credibility through a blown presentation to a client. The classroom environment, with a compilation of information and resources such as a text, can offer you a trial run where you get to try out new ideas and skills before you have to use them to communicate effectively to make a sale or form a new partnership. Listening to yourself, or perhaps the comments of others, may help you reflect on new ways to present, or perceive, thoughts, ideas and concepts. The net result is your growth; ultimately your ability to communicate in business will improve, opening more doors than you might anticipate.

As you learn the material in this text, each part will contribute to the whole. The degree to which you attend to each part will ultimately help give you the skills, confidence, and preparation to use communication in furthering your career.
1.1 Why Is It Important to Communicate Well?
Learning Objectives
Recognize the importance of communication in gaining a better understanding of yourself and others.
Explain how communication skills help you solve problems, learn new things, and build your career.
Communication is key to your successin relationships, in the workplace, as a citizen of your country, and across your lifetime. Your ability to communicate comes from experience, and experience can be an effective teacher, but this text and the related business communication course will offer you a wealth of experiences gathered from professional speakers across their lifetimes. You can learn from the lessons theyve learned and be a more effective communicator right out of the gate.

Business communication can be thought of as a problem solving activity in which individuals may address the following questions:

What is the situation?
What are some possible communication strategies?
What is the best course of action?
What is the best way to design the chosen message?
What is the best way to deliver the message?
In this book, we will examine this problem solving process and help you learn to apply it in the kinds of situations you are likely to encounter over the course of your career.

Communication Influences Your Thinking about Yourself and Others
We all share a fundamental drive to communicate. Communication can be defined as the process of understanding and sharing meaning (Pearson & Nelson, 2000). You share meaning in what you say and how you say it, both in oral and written forms. If you could not communicate, what would life be like? A series of never-ending frustrations? Not being able to ask for what you need or even to understand the needs of others?

Being unable to communicate might even mean losing a part of yourself, for you communicate your self-conceptyour sense of self and awareness of who you arein many ways. Do you like to write? Do you find it easy to make a phone call to a stranger or to speak to a room full of people? Perhaps someone told you that you dont speak clearly or your grammar needs improvement. Does that make you more or less likely to want to communicate? For some, it may be a positive challenge, while for others it may be discouraging. But in all cases, your ability to communicate is central to your self-concept.

Take a look at your clothes. What are the brands you are wearing? What do you think they say about you? Do you feel that certain styles of shoes, jewelry, tattoos, music, or even automobiles express who you are? Part of your self-concept may be that you express yourself through texting, or through writing longer documents like essays and research papers, or through the way you speak.

On the other side of the coin, your communications skills help you to understand othersnot just their words, but also their tone of voice, their nonverbal gestures, or the format of their written documents provide you with clues about who they are and what their values and priorities may be. Active listening and reading are also part of being a successful communicator.

Communication Influences How You Learn
When you were an infant, you learned to talk over a period of many months. When you got older, you didnt learn to ride a bike, drive a car, or even text a message on your cell phone in one brief moment. You need to begin the process of improving your speaking and writing with the frame of mind that it will require effort, persistence, and self-correction.

You learn to speak in public by first having conversations, then by answering questions and expressing your opinions in class, and finally by preparing and delivering a stand-up speech. Similarly, you learn to write by first learning to read, then by writing and learning to think critically. Your speaking and writing are reflections of your thoughts, experience, and education. Part of that combination is your level of experience listening to other speakers, reading documents and styles of writing, and studying formats similar to what you aim to produce.

As you study business communication, you may receive suggestions for improvement and clarification from speakers and writers more experienced than yourself. Take their suggestions as challenges to improve; dont give up when your first speech or first draft does not communicate the message you intend. Stick with it until you get it right. Your success in communicating is a skill that applies to almost every field of work, and it makes a difference in your relationships with others.

Remember, luck is simply a combination of preparation and timing. You want to be prepared to communicate well when given the opportunity. Each time you do a good job, your success will bring more success.

Communication Represents You and Your Employer
You want to make a good first impression on your friends and family, instructors, and employer. They all want you to convey a positive image, as it reflects on them. In your career, you will represent your business or company in spoken and written form. Your professionalism and attention to detail will reflect positively on you and set you up for success.

In both oral and written situations, you will benefit from having the ability to communicate clearly. These are skills you will use for the rest of your life. Positive improvements in these skills will have a positive impact on your relationships, your prospects for employment, and your ability to make a difference in the world.

Communication Skills Are Desired by Business and Industry
Oral and written communication proficiencies are consistently ranked in the top ten desirable skills by employer surveys year after year. In fact, high-powered business executives sometimes hire consultants to coach them in sharpening their communication skills. According to the National Association of Colleges and Employers, the following are the top five personal qualities or skills potential employers seek:

Communication skills (verbal and written)
Strong work ethic
Teamwork skills (works well with others, group communication)
Initiative
Analytical skills
Knowing this, you can see that one way for you to be successful and increase your promotion potential is to increase your abilities to speak and write effectively.

Figure 1.1

Members at a Baltimore Jewish Council Meeting

Effective communication skills are assets that will get you there.

Maryland GovPics Baltimore Jewish Council Meeting CC BY 2.0.

In September 2004, the National Commission on Writing for Americas Families, Schools, and Colleges published a study on 120 human resource directors titled Writing: A Ticket to WorkOr a Ticket Out, A Survey of Business Leaders. The study found that writing is both a marker of high-skill, high-wage, professional work and a gatekeeper with clear equity implications, said Bob Kerrey, president of New School University in New York and chair of the commission. People unable to express themselves clearly in writing limit their opportunities for professional, salaried employment. (The College Board, 2004)

On the other end of the spectrum, it is estimated that over forty million Americans are illiterate, or unable to functionally read or write. If you are reading this book, you may not be part of an at-risk group in need of basic skill development, but you still may need additional training and practice as you raise your skill level.

An individual with excellent communication skills is an asset to every organization. No matter what career you plan to pursue, learning to express yourself professionally in speech and in writing will help you get there.

Key Takeaway
Communication forms a part of your self-concept, and it helps you understand yourself and others, solve problems and learn new things, and build your career.

1.2 What Is Communication?
Learning Objectives
Define communication and describe communication as a process.
Identify and describe the eight essential components of communication.
Identify and describe two models of communication.
Many theories have been proposed to describe, predict, and understand the behaviors and phenomena of which communication consists. When it comes to communicating in business, we are often less interested in theory than in making sure our communications generate the desired results. But in order to achieve results, it can be valuable to understand what communication is and how it works.

Defining Communication
The root of the word communication in Latin is communicare, which means to share, or to make common (Weekley, 1967). Communication is defined as the process of understanding and sharing meaning (Pearson & Nelson, 2000).

At the center of our study of communication is the relationship that involves interaction between participants. This definition serves us well with its emphasis on the process, which well examine in depth across this text, of coming to understand and share anothers point of view effectively.

The first key word in this definition is process. A process is a dynamic activity that is hard to describe because it changes (Pearson & Nelson, 2000). Imagine you are alone in your kitchen thinking. Someone you know (say, your mother) enters the kitchen and you talk briefly. What has changed? Now, imagine that your mother is joined by someone else, someone you havent met beforeand this stranger listens intently as you speak, almost as if you were giving a speech. What has changed? Your perspective might change, and you might watch your words more closely. The feedback or response from your mother and the stranger (who are, in essence, your audience) may cause you to reevaluate what you are saying. When we interact, all these factorsand many moreinfluence the process of communication.

The second key word is understanding: To understand is to perceive, to interpret, and to relate our perception and interpretation to what we already know. (McLean, 2003) If a friend tells you a story about falling off a bike, what image comes to mind? Now your friend points out the window and you see a motorcycle lying on the ground. Understanding the words and the concepts or objects they refer to is an important part of the communication process.

Next comes the word sharing. Sharing means doing something together with one or more people. You may share a joint activity, as when you share in compiling a report; or you may benefit jointly from a resource, as when you and several coworkers share a pizza. In communication, sharing occurs when you convey thoughts, feelings, ideas, or insights to others. You can also share with yourself (a process called intrapersonal communication) when you bring ideas to consciousness, ponder how you feel about something, or figure out the solution to a problem and have a classic Aha! moment when something becomes clear.

Finally, meaning is what we share through communication. The word bike represents both a bicycle and a short name for a motorcycle. By looking at the context the word is used in and by asking questions, we can discover the shared meaning of the word and understand the message.

Eight Essential Components of Communication
In order to better understand the communication process, we can break it down into a series of eight essential components:

Source
Message
Channel
Receiver
Feedback
Environment
Context
Interference
Each of these eight components serves an integral function in the overall process. Lets explore them one by one.

Source
The source imagines, creates, and sends the message. In a public speaking situation, the source is the person giving the speech. He or she conveys the message by sharing new information with the audience. The speaker also conveys a message through his or her tone of voice, body language, and choice of clothing. The speaker begins by first determining the messagewhat to say and how to say it. The second step involves encoding the message by choosing just the right order or the perfect words to convey the intended meaning. The third step is to present or send the information to the receiver or audience. Finally, by watching for the audiences reaction, the source perceives how well they received the message and responds with clarification or supporting information.

Message
The message is the stimulus or meaning produced by the source for the receiver or audience. (McLean, 2005) When you plan to give a speech or write a report, your message may seem to be only the words you choose that will convey your meaning. But that is just the beginning. The words are brought together with grammar and organization. You may choose to save your most important point for last. The message also consists of the way you say itin a speech, with your tone of voice, your body language, and your appearanceand in a report, with your writing style, punctuation, and the headings and formatting you choose. In addition, part of the message may be the environment or context you present it in and the noise that might make your message hard to hear or see.

Imagine, for example, that you are addressing a large audience of sales reps and are aware there is a World Series game tonight. Your audience might have a hard time settling down, but you may choose to open with, I understand there is an important game tonight. In this way, by expressing verbally something that most people in your audience are aware of and interested in, you might grasp and focus their attention.

Channel
The channel is the way in which a message or messages travel between source and receiver. (McLean, 2005) For example, think of your television. How many channels do you have on your television? Each channel takes up some space, even in a digital world, in the cable or in the signal that brings the message of each channel to your home. Television combines an audio signal you hear with a visual signal you see. Together they convey the message to the receiver or audience. Turn off the volume on your television. Can you still understand what is happening? Many times you can, because the body language conveys part of the message of the show. Now turn up the volume but turn around so that you cannot see the television. You can still hear the dialogue and follow the story line.

Similarly, when you speak or write, you are using a channel to convey your message. Spoken channels include face-to-face conversations, speeches, telephone conversations and voice mail messages, radio, public address systems, and voice over Internet protocol (VoIP). Written channels include letters, memorandums, purchase orders, invoices, newspaper and magazine articles, blogs, e-mail, text messages, tweets, and so forth.

Receiver
The receiver receives the message from the source, analyzing and interpreting the message in ways both intended and unintended by the source. (McLean, 2005) To better understand this component, think of a receiver on a football team. The quarterback throws the football (message) to a receiver, who must see and interpret where to catch the ball. The quarterback may intend for the receiver to catch his message in one way, but the receiver may see things differently and miss the football (the intended meaning) altogether.

As a receiver you listen, see, touch, smell, and/or taste to receive a message. Your audience sizes you up, much as you might check them out long before you take the stage or open your mouth. The nonverbal responses of your listeners can serve as clues on how to adjust your opening. By imagining yourself in their place, you anticipate what you would look for if you were them. Just as a quarterback plans where the receiver will be in order to place the ball correctly, you too can recognize the interaction between source and receiver in a business communication context. All of this happens at the same time, illustrating why and how communication is always changing.

Feedback
When you respond to the source, intentionally or unintentionally, you are giving feedback. Feedback is composed of messages the receiver sends back to the source. Verbal or nonverbal, all these feedback signals allow the source to see how well, how accurately (or how poorly and inaccurately) the message was received. Feedback also provides an opportunity for the receiver or audience to ask for clarification, to agree or disagree, or to indicate that the source could make the message more interesting. As the amount of feedback increases, the accuracy of communication also increases (Leavitt & Mueller, 1951).

For example, suppose you are a sales manager participating in a conference call with four sales reps. As the source, you want to tell the reps to take advantage of the fact that it is World Series season to close sales on baseball-related sports gear. You state your message, but you hear no replies from your listeners. You might assume that this means they understood and agreed with you, but later in the month you might be disappointed to find that very few sales were made. If you followed up your message with a request for feedback (Does this make sense? Do any of you have any questions?) you might have an opportunity to clarify your message, and to find out whether any of the sales reps believed your suggestion would not work with their customers.

Environment
The environment is the atmosphere, physical and psychological, where you send and receive messages. (McLean, 2005) The environment can include the tables, chairs, lighting, and sound equipment that are in the room. The room itself is an example of the environment. The environment can also include factors like formal dress, that may indicate whether a discussion is open and caring or more professional and formal. People may be more likely to have an intimate conversation when they are physically close to each other, and less likely when they can only see each other from across the room. In that case, they may text each other, itself an intimate form of communication. The choice to text is influenced by the environment. As a speaker, your environment will impact and play a role in your speech. Its always a good idea to go check out where youll be speaking before the day of the actual presentation.

Context
The context of the communication interaction involves the setting, scene, and expectations of the individuals involved. (McLean, 2005) A professional communication context may involve business suits (environmental cues) that directly or indirectly influence expectations of language and behavior among the participants.

A presentation or discussion does not take place as an isolated event. When you came to class, you came from somewhere. So did the person seated next to you, as did the instructor. The degree to which the environment is formal or informal depends on the contextual expectations for communication held by the participants. The person sitting next to you may be used to informal communication with instructors, but this particular instructor may be used to verbal and nonverbal displays of respect in the academic environment. You may be used to formal interactions with instructors as well, and find your classmates question of Hey Teacher, do we have homework today? as rude and inconsiderate when they see it as normal. The nonverbal response from the instructor will certainly give you a clue about how they perceive the interaction, both the word choices and how they were said.

Context is all about what people expect from each other, and we often create those expectations out of environmental cues. Traditional gatherings like weddings or quinceaeras are often formal events. There is a time for quiet social greetings, a time for silence as the bride walks down the aisle, or the father may have the first dance with his daughter as she is transformed from a girl to womanhood in the eyes of her community. In either celebration there may come a time for rambunctious celebration and dancing. You may be called upon to give a toast, and the wedding or quinceaera context will influence your presentation, timing, and effectiveness.

Figure 1.2

A marriage matrix of Shirakawa-go
Context is all about what people expect from each other.

Toshihiro Gamo Marriage Matrix CC BY-NC-ND 2.0.

In a business meeting, who speaks first? That probably has some relation to the position and role each person has outside the meeting. Context plays a very important role in communication, particularly across cultures.

Interference
Interference, also called noise, can come from any source. Interference is anything that blocks or changes the sources intended meaning of the message.(McLean, 2005) For example, if you drove a car to work or school, chances are you were surrounded by noise. Car horns, billboards, or perhaps the radio in your car interrupted your thoughts, or your conversation with a passenger.

Psychological noise is what happens when your thoughts occupy your attention while you are hearing, or reading, a message. Imagine that it is 4:45 p.m. and your boss, who is at a meeting in another city, e-mails you asking for last months sales figures, an analysis of current sales projections, and the sales figures from the same month for the past five years. You may open the e-mail, start to read, and think, Greatno problemI have those figures and that analysis right here in my computer. You fire off a reply with last months sales figures and the current projections attached. Then, at five oclock, you turn off your computer and go home. The next morning, your boss calls on the phone to tell you he was inconvenienced because you neglected to include the sales figures from the previous years. What was the problem? Interference: by thinking about how you wanted to respond to your bosss message, you prevented yourself from reading attentively enough to understand the whole message.

Interference can come from other sources, too. Perhaps you are hungry, and your attention to your current situation interferes with your ability to listen. Maybe the office is hot and stuffy. If you were a member of an audience listening to an executive speech, how could this impact your ability to listen and participate?

Noise interferes with normal encoding and decoding of the message carried by the channel between source and receiver. Not all noise is bad, but noise interferes with the communication process. For example, your cell phone ringtone may be a welcome noise to you, but it may interrupt the communication process in class and bother your classmates.

Two Models of Communication
Researchers have observed that when communication takes place, the source and the receiver may send messages at the same time, often overlapping. You, as the speaker, will often play both roles, as source and receiver. Youll focus on the communication and the reception of your messages to the audience. The audience will respond in the form of feedback that will give you important clues. While there are many models of communication, here we will focus on two that offer perspectives and lessons for business communicators.

Rather than looking at the source sending a message and someone receiving it as two distinct acts, researchers often view communication as a transactional process (Figure 1.3 Transactional Model of Communication), with actions often happening at the same time. The distinction between source and receiver is blurred in conversational turn-taking, for example, where both participants play both roles simultaneously.

Figure 1.3 Transactional Model of Communication

Transactional Model of Communication

Researchers have also examined the idea that we all construct our own interpretations of the message. As the State Department quote at the beginning of this chapter indicates, what I said and what you heard may be different. In the constructivist model (Figure 1.4 Constructivist Model of Communication), we focus on the negotiated meaning, or common ground, when trying to describe communication (Pearce & Cronen, 1980),

Imagine that you are visiting Atlanta, Georgia, and go to a restaurant for dinner. When asked if you want a Coke, you may reply, sure. The waiter may then ask you again, what kind? and you may reply, Coke is fine. The waiter then may ask a third time, what kind of soft drink would you like? The misunderstanding in this example is that in Atlanta, the home of the Coca-Cola Company, most soft drinks are generically referred to as Coke. When you order a soft drink, you need to specify what type, even if you wish to order a beverage that is not a cola or not even made by the Coca-Cola Company. To someone from other regions of the United States, the words pop, soda pop, or soda may be the familiar way to refer to a soft drink; not necessarily the brand Coke. In this example, both you and the waiter understand the word Coke, but you each understand it to mean something different. In order to communicate, you must each realize what the term means to the other person, and establish common ground, in order to fully understand the request and provide an answer.

Figure 1.4 Constructivist Model of Communication

Constructivist Model of Communication

Because we carry the multiple meanings of words, gestures, and ideas within us, we can use a dictionary to guide us, but we will still need to negotiate meaning.

Key Takeaway
The communication process involves understanding, sharing, and meaning, and it consists of eight essential elements: source, message, channel, receiver, feedback, environment, context, and interference. Among the models of communication are the transactional process, in which actions happen simultaneously, and the constructivist model, which focuses on shared meaning.
Identify and describe five types of communication contexts.
Now that we have examined the eight components of communication, lets examine this in context. Is a quiet dinner conversation with someone you care about the same experience as a discussion in class or giving a speech? Is sending a text message to a friend the same experience as writing a professional project proposal or a purchase order? Each context has an influence on the communication process. Contexts can overlap, creating an even more dynamic process. You have been communicating in many of these contexts across your lifetime, and youll be able to apply what youve learned through experience in each context to business communication.

Intrapersonal Communication
Have you ever listened to a speech or lecture and gotten caught up in your thoughts so that, while the speaker continued, you were no longer listening? During a phone conversation, have you ever been thinking about what you are going to say, or what question you might ask, instead of listening to the other person? Finally, have you ever told yourself how you did after you wrote a document or gave a presentation? As you talk with yourself you are engaged in intrapersonal communication.

Intrapersonal communication involves one person; it is often called self-talk. (Wood, 1997) Donna Vocates book on intrapersonal communication explains how, as we use language to reflect on our own experiences, we talk ourselves through situations. For example, the voice within you that tells you, Keep on Going! I can DO IT! when you are putting your all into completing a five-mile race; or that says, This report Ive written is pretty good. Your intrapersonal communication can be positive or negative, and directly influences how you perceive and react to situations and communication with others.

What you perceive in communication with others is also influenced by your culture, native language, and your world view. As the German philosopher Jrgen Habermas said, Every process of reaching understanding takes place against the background of a culturally ingrained preunderstanding. (Habermas, 1984)

For example, you may have certain expectations of time and punctuality. You werent born with them, so where did you learn them? From those around you as you grew up. What was normal for them became normal for you, but not everyones idea of normal is the same.

When your supervisor invites you to a meeting and says it will start at 7 p.m., does that mean 7:00 sharp, 7-ish, or even 7:30? In the business context, when a meeting is supposed to start at 9 a.m., is it promptly a 9 a.m.? Variations in time expectations depend on regional and national culture as well as individual corporate cultures. In some companies, everyone may be expected to arrive ten to fifteen minutes before the announced start time to take their seats and be ready to commence business at 9:00 sharp. In other companies, meeting and greeting from about 9 to 9:05 or even 9:10 is the norm. When you are unfamiliar with the expectations for a business event, it is always wise to err on the side of being punctual, regardless of what your internal assumptions about time and punctuality may be.

Interpersonal Communication
The second major context within the field of communication is interpersonal communication. Interpersonal communication normally involves two people, and can range from intimate and very personal to formal and impersonal. You may carry on a conversation with a loved one, sharing a serious concern. Later, at work, you may have a brief conversation about plans for the weekend with the security guard on your way home. Whats the difference? Both scenarios involve interpersonal communication, but are different in levels of intimacy. The first example implies a trusting relationship established over time between two caring individuals. The second example level implies some previous familiarity, and is really more about acknowledging each other than any actual exchange of information, much like saying hello or goodbye.

Group Communication
Have you ever noticed how a small group of people in class sit near each other? Perhaps they are members of the same sports program, or just friends, but no doubt they often engage in group communication.

Group communication is a dynamic process where a small number of people engage in a conversation. (McLean, 2005) Group communication is generally defined as involving three to eight people. The larger the group, the more likely it is to break down into smaller groups.

To take a page from marketing, does your audience have segments or any points of convergence/divergence? We could consider factors like age, education, sex, and location to learn more about groups and their general preferences as well as dislikes. You may find several groups within the larger audience, such as specific areas of education, and use this knowledge to increase your effectiveness as a business communicator.

Public Communication
In public communication, one person speaks to a group of people; the same is true of public written communication, where one person writes a message to be read by a small or large group. The speaker or writer may ask questions, and engage the audience in a discussion (in writing, examples are an e-mail discussion or a point-counter-point series of letters to the editor), but the dynamics of the conversation are distinct from group communication, where different rules apply. In a public speaking situation, the group normally defers to the speaker. For example, the boss speaks to everyone, and the sales team quietly listens without interruption.

This generalization is changing as norms and expectations change, and many cultures have a tradition of call outs or interjections that are not to be interpreted as interruptions or competition for the floor, but instead as affirmations. The boss may say, as part of a charged-up motivational speech, Do you hear me? and the sales team is expected to call back Yes Sir! The boss, as a public speaker, recognizes that intrapersonal communication (thoughts of the individual members) or interpersonal communication (communication between team members) may interfere with this classic public speaking dynamic of all to one, or the audience devoting all its attention to the speaker, and incorporate attention getting and engagement strategies to keep the sales team focused on the message.

Mass Communication
How do you tell everyone on campus where and when all the classes are held? Would a speech from the front steps work? Perhaps it might meet the need if your school is a very small one. A written schedule that lists all classes would be a better alternative. How do you let everyone know there is a sale on in your store, or that your new product will meet their needs, or that your position on a political issue is the same as your constituents? You send a message to as many people as you can through mass communication. Does everyone receive mass communication the same way the might receive a personal phone call? Not likely. Some people who receive mass mailings assume that they are junk mail (i.e., that they do not meet the recipients needs) and throw them away unopened. People may tune out a television advertisement with a click of the mute button, delete tweets or ignore friend requests on Facebook by the hundreds, or send all unsolicited e-mail straight to the spam folder unread.

Mass media is a powerful force in modern society and our daily lives, and is adapting rapidly to new technologies. Mass communication involves sending a single message to a group. It allows us to communicate our message to a large number of people, but we are limited in our ability to tailor our message to specific audiences, groups, or individuals. As a business communicator, you can use multimedia as a visual aid or reference common programs, films, or other images that your audience finds familiar yet engaging. You can tweet a picture that is worth far more than 140 characters, and you are just as likely to elicit a significant response. By choosing messages or references that many audience members will recognize or can identify with, you can develop common ground and increase the appeal of your message.

Key Takeaway
Communication contexts include intrapersonal, interpersonal, group, public, and mass communication. Each context has its advantages and disadvantages, and its appropriate and inappropriate uses.

1.4 Your Responsibilities as a Communicator
Learning Objective
Discuss and provide several examples of each of the two main responsibilities of a business communicator.
Whenever you speak or write in a business environment, you have certain responsibilities to your audience, your employer, and your profession. Your audience comes to you with an inherent set of expectations that you will fulfill these responsibilities. The specific expectations may change given the context or environment, but two central ideas will remain: be prepared, and be ethical.

Communicator Is Prepared
As the business communicators first responsibility, preparation includes several facets which we will examine: organization, clarity, and being concise and punctual.

Being prepared means that you have selected a topic appropriate to your audience, gathered enough information to cover the topic well, put your information into a logical sequence, and considered how best to present it. If your communication is a written one, you have written an outline and at least one rough draft, read it over to improve your writing and correct errors, and sought feedback where appropriate. If your communication is oral, you have practiced several times before your actual performance.

The Prepared Communicator Is Organized
Part of being prepared is being organized. Aristotle called this logos, or logic, and it involves the steps or points that lead your communication to a conclusion. Once youve invested time in researching your topic, you will want to narrow your focus to a few key points and consider how youll present them. On any given topic there is a wealth of information; your job is to narrow that content down to a manageable level, serving the role of gatekeeper by selecting some information and de-selecting, or choosing to not include other points or ideas.

You also need to consider how to link your main points together for your audience. Use transitions to provide signposts or cues for your audience to follow along. Now that weve examined X, lets consider Y is a transitional statement that provides a cue that you are moving from topic to topic. Your listeners or readers will appreciate your being well organized so that they can follow your message from point to point.

The Prepared Communicator Is Clear
You have probably had the unhappy experience of reading or listening to a communication that was vague and wandering. Part of being prepared is being clear. If your message is unclear, the audience will lose interest and tune you out, bringing an end to effective communication.

Interestingly, clarity begins with intrapersonal communication: you need to have a clear idea in your mind of what you want to say before you can say it clearly to someone else. At the interpersonal level, clarity involves considering your audience, as you will want to choose words and phrases they understand and avoid jargon or slang that may be unfamiliar to them.

Clarity also involves presentation. A brilliant message scrawled in illegible handwriting, or in pale gray type on gray paper, will not be clear. When it comes to oral communication, if you mumble your words, speak too quickly or use a monotonous tone of voice, or stumble over certain words or phrases, the clarity of your presentation will suffer.

Technology also plays a part; if you are using a microphone or conducting a teleconference, clarity will depend on this equipment functioning properlywhich brings us back to the importance of preparation. In this case, in addition to preparing your speech, you need to prepare by testing the equipment ahead of time.

The Prepared Communicator Is Concise and Punctual
Concise means brief and to the point. In most business communications you are expected to get down to business right away. Being prepared includes being able to state your points clearly and support them with clear evidence in a relatively straightforward, linear way.

It may be tempting to show how much you know by incorporating additional information into your document or speech, but in so doing you run the risk of boring, confusing, or overloading your audience. Talking in circles or indulging in tangents, where you get off topic or go too deep, can hinder an audiences ability to grasp your message. Be to the point and concise in your choice of words, organization, and even visual aids.

Being concise also involves being sensitive to time constraints. How many times have you listened to a speaker say in conclusion only to continue speaking for what seems like forever? How many meetings and conference calls have you attended that got started late or ran beyond the planned ending time? The solution, of course, is to be prepared to be punctual. If you are asked to give a five-minute presentation at a meeting, your coworkers will not appreciate your taking fifteen minutes, any more than your supervisor would appreciate your submitting a fifteen-page report when you were asked to write five pages. For oral presentations, time yourself when you rehearse and make sure you can deliver your message within the allotted number of minutes.

Figure 1.5

Times of the World (Toronto, Kinshasa, New York, Abu Dhabi, Brussels, Delhi, and Beijing)

Good business communication does not waste words or time.

Angelina Earley Times! Of! The World! CC BY-NC-ND 2.0

There is one possible exception to this principle. Many non-Western cultures prefer a less direct approach, where business communication often begins with social or general comments that a U.S. audience might consider unnecessary. Some cultures also have a less strict interpretation of time schedules and punctuality. While it is important to recognize that different cultures have different expectations, the general rule holds true that good business communication does not waste words or time.

Communicator Is Ethical
The business communicators second fundamental responsibility is to be ethical. Ethics refers to a set of principles or rules for correct conduct. It echoes what Aristotle called ethos, the communicators good character and reputation for doing what is right. Communicating ethically involves being egalitarian, respectful, and trustworthyoverall, practicing the golden rule of treating your audience the way you would want to be treated.

Communication can move communities, influence cultures, and change history. It can motivate people to take stand, consider an argument, or purchase a product. The degree to which you consider both the common good and fundamental principles you hold to be true when crafting your message directly relates to how your message will affect others.

The Ethical Communicator Is Egalitarian
The word egalitarian comes from the root equal. To be egalitarian is to believe in basic equality: that all people should share equally in the benefits and burdens of a society. It means that everyone is entitled to the same respect, expectations, access to information, and rewards of participation in a group.

To communicate in an egalitarian manner, speak and write in a way that is comprehensible and relevant to all your listeners or readers, not just those who are like you in terms of age, gender, race or ethnicity, or other characteristics.

In business, you will often communicate to people with certain professional qualifications. For example, you may draft a memo addressed to all the nurses in a certain hospital, or give a speech to all the adjusters in a certain branch of an insurance company. Being egalitarian does not mean you have to avoid professional terminology that is understood by nurses or insurance adjusters. But it does mean that your hospital letter should be worded for all the hospitals nursesnot just female nurses, not just nurses working directly with patients, not just nurses under age fifty-five. An egalitarian communicator seeks to unify the audience by using ideas and language that are appropriate for all the messages readers or listeners.

The Ethical Communicator Is Respectful
People are influenced by emotions as well as logic. Aristotle named pathos, or passion, enthusiasm and energy, as the third of his three important parts of communicating after logos and ethos.

Most of us have probably seen an audience manipulated by a cult of personality, believing whatever the speaker said simply because of how dramatically he or she delivered a speech; by being manipulative, the speaker fails to respect the audience. We may have also seen people hurt by sarcasm, insults, and other disrespectful forms of communication.

This does not mean that passion and enthusiasm are out of place in business communication. Indeed, they are very important. You can hardly expect your audience to care about your message if you dont show that you care about it yourself. If your topic is worth writing or speaking about, make an effort to show your audience why it is worthwhile by speaking enthusiastically or using a dynamic writing style. Doing so, in fact, shows respect for their time and their intelligence.

However, the ethical communicator will be passionate and enthusiastic without being disrespectful. Losing ones temper and being abusive are generally regarded as showing a lack of professionalism (and could even involve legal consequences for you or your employer). When you disagree strongly with a coworker, feel deeply annoyed with a difficult customer, or find serious fault with a competitors product, it is important to express such sentiments respectfully. For example, instead of telling a customer, Ive had it with your complaints! a respectful business communicator might say, Im having trouble seeing how I can fix this situation. Would you explain to me what you want to see happen?

The Ethical Communicator Is Trustworthy
Trust is a key component in communication, and this is especially true in business. As a consumer, would you choose to buy merchandise from a company you did not trust? If you were an employer, would you hire someone you did not trust?

Your goal as a communicator is to build a healthy relationship with your audience, and to do that you must show them why they can trust you and why the information you are about to give them is believable. One way to do this is to begin your message by providing some information about your qualifications and background, your interest in the topic, or your reasons for communicating at this particular time.

Your audience will expect that what you say is the truth as you understand it. This means that you have not intentionally omitted, deleted, or taken information out of context simply to prove your points. They will listen to what you say and how you say it, but also to what you dont say or do. You may consider more than one perspective on your topic, and then select the perspective you perceive to be correct, giving concrete reasons why you came to this conclusion. People in the audience may have considered or believe in some of the perspectives you consider, and your attention to them will indicate you have done your homework.

Being worthy of trust is something you earn with an audience. Many wise people have observed that trust is hard to build but easy to lose. A communicator may not know something and still be trustworthy, but its a violation of trust to pretend you know something when you dont. Communicate what you know, and if you dont know something, research it before you speak or write. If you are asked a question to which you dont know the answer, say I dont know the answer but I will research it and get back to you (and then make sure you follow through later). This will go over much better with the audience than trying to cover by stumbling through an answer or portraying yourself as knowledgeable on an issue that you are not.

The Golden Rule
When in doubt, remember the golden rule, which says to treat others the way you would like to be treated. In all its many forms, the golden rule incorporates human kindness, cooperation, and reciprocity across cultures, languages, backgrounds and interests. Regardless of where you travel, who you communicate with, or what your audience is like, remember how you would feel if you were on the receiving end of your communication, and act accordingly.

Key Takeaway
As a communicator, you are responsible for being prepared and being ethical. Being prepared includes being organized, clear, concise, and punctual. Being ethical includes being egalitarian, respectful, and trustworthy and overall, practicing the golden rule.

The Psychology of Business Decisions

These conceptions predominantly stem from Kahneman and Tverskys (1974) foundational heuristics (i.e. availability; representativeness; anchoring & adjustment heuristics), the experimental studies they have conducted to provide the evidences to support their claims, and their implications on decision-making. Since then, many types of heuristics and their associated biases have evolved. The aim of this assignment is to get you to further research and build upon these concepts. More specifically, you will collaborate with your team members to bring to life (in the form of a mini website through canvas pages) the role of heuristics and biases in decision making, and through your selected examples as evidences, showcase how these are played out in real-life.

disaster planning

week 7
For this assignment, you will complete Your Family’s Disaster Plan Checklist adapted from Appendix A of your ReadyRN text.

This week you will gather and complete the recommended information and supplies listed on the Family Disaster Plan Checklist Checklist.

Please note: You are not required to purchase any items on this list, however, take note of the items you are missing and consider how it could impact your safety and survival in a disaster.

a. Download one of the following, located in the Worksheets, Forms, and Templates area at left:

Family Disaster Plan Checklist (PDF)

or
Family Disaster Plan Checklist (Word doc)
b. Complete all sections. For the inventory lists, use a check mark to show which items you have on hand.

For items that are not applicable to you and your living situation, please write N/A (not applicable) in the space, otherwise it will be counted as incomplete.
Remember to protect personal information by using pseudonyms, or by providing only partial information
Ex: Sister: Britley *****, phone: 724-***-****, email: b********@yahoo.com
Review the rubric for more information on how the assignment will be graded.

Click for more options

Need help with APA Style? Visit the Student Resources through the tab at the top of the page.

Week 8 Assignment: Family Disaster Plan Summative Assessment
For this paper you must cite and reference 2 sources. The paper should be 23 pages and written using current APA format. Your paper should address the following:

a. How would you prepare for the following situation? (provide realistic examples and details for safety and survival)

(Scenario) At this moment, you are sitting at home working on your WCU class. Suddenly, the National Weather Bureau sends an alert across your cell phonea tornado is headed your way. You have 15 minutes before touchdown in your neighborhood. What is your plan? This is a ‘shelter in place’ scenario, you cannot outrun the tornado. Identify a safe place in your home to take shelter.

You must include research. Cite and reference two sources and explain the recommended safety measures in a tornado emergency and how you would apply them to your specific living arrangements.

b. How prepared are you in the event of a disaster? Describe your level of disaster preparedness using specific examples and references to your “go-bag” and preparedness checklist assignments.

Example: I am more prepared for a water-related disaster than a fire-related disaster even though I live in a highly secluded, forested area. I have a boat as transportation in the event of flooding, but I do not have rain barrels or fire barrier supplies on hand.

Example: “There were many missing items on my preparedness checklist. I realized that I do not own a flashlight. If I had to use my phone as a light it would drain the battery very quickly.

c. Reflect on how prepared you were before this class and compare it with how prepared you are now.

Have you acquired any new emergency items?
Do you plan to take any additional trainings or certification courses?
Have you shared your knowledge with friends and family?
Review the rubric for more information on how the assignment will be graded.

he ability to analyze and understand the interconnectedness of global and local concerns.

Welcome to the oppression project. This is a new addition to this course based off of some feedback from students and some feedback from the A&S dean and her team. In short, the assignment is to address the first three global awareness outcomes in a short paper (6-8 pages not including references). Those outcomes are:

The ability to understand global cultural diversity, through immersion in perspectives, viewpoints, and traditions of a culture or more than one culture outside of the United States, past or present.
The ability to compare and contrast the unique characteristics of world cultures and the universality of human experience through examination of traditions, social organization, and ways of life.
The ability to analyze and understand the interconnectedness of global and local concerns.
There are several advantages to having a project like this at the very beginning of the course, but let me highlight two of them. First, this is my first opportunity to get to know you as a writer, so I can help fix any issues before we get into the bulk of the course. Second, you will be using the five aspects of society framework in this assignment, which will be the same framework for the much bigger “expert” project (and possibly the global awareness project if you choose that route).

The five aspects of society framework:

The five aspects of society framework is also a really great place to start in any of your coursework across the university that concerns the study of people in general. I think about them a lot. In fact, whenever I hear someone mention the word “society” in a class discussion, my mind automatically goes to these five aspects.

The five aspects of society are these: political, economic, social (including religious), idealistic, and artistic. Please note, you do not have to have an extensive section on the “artistic” aspect for this particular assignment because we are at the beginning of the course, but later in this course in the “expert” project, it should be the bulk of the paper. Here are some more details, but as you read, think about how each aspect affects the others:

The political aspect refers to who is in charge.

Example: Is this society a democracy or a monarchy?

Connection to other aspects: How tightly does the political system restrict or encourage (fund) artistic expression?

The economic aspect refers to how people make a living (which may not include a monetary system).

Example: Is this society a free market or one based on inherited/communal wealth?

Connection to other aspects: Are there wealth disparities in this society, and do they affect the political and social aspects?

The social aspect (including religious) refers to how people interact with each other.

Example: Is there social mobility in this society? Is it a caste system? Do religious leaders wield great power?

Connection to other aspects: It can be fascinating to see how people divide themselves based on what they perceive to be vast ideological or political differences when, from an outsider perspective, the two factions have much more in common.

The idealistic aspect refers to the ideals that the society holds dear and true.

Example: Does this society value scholarship, free speech, competition, religious tradition, military strength, or pacifism?

Connection to other aspects: In my view, the idealistic aspect drives all of the other aspects of society. Humans are driven by ideals, and they construct the political, economic, social, and artistic constructs to make them happen. For example, the US was built upon Enlightenment period ideals of (e.g., life, liberty, and the pursuit of happiness), so our country has one of the most inclusive college and university systems in the world, arguably to be a land of opportunity. Many of these colleges and universities (or individual projects within them) are funded by federal and state governments. You can see how ideals can really become the lifeblood of any given society.

Lastly, the artistic aspect is the manifestation of the idealistic aspect through artwork (remember you do not have to have a lot of material for this aspect in this assignment, but you will for the expert project). You can think of it as the idealistic aspects’ megaphone.

Example: In the 1960s in America, protest music was an overwhelming part of the artistic aspect of society, which in turn reflected the idealistic sentiments of the youth culture at the time.

Connection to other aspects: I’m sure you can think of some cringe-worthy examples of artwork (musical or otherwise) that has been created for propaganda purposes in some totalitarian regimes.

What to do in this assignment:

There is a formal rubric attached to this module, to ensure fairness and to show my superiors that we have a culture of assessment, but here are some directions using informal language:

1) Pick a society that has faced oppression, either currently or during a specific time in the past. Remember that this is a world music course designed to expand your horizons, so try to pick a society you do not know much about. Here are some examples of societies or specific types of music in those societies (to better help you find material), but I encourage you to find something that appeals to you: Capoeira (from Brazil, created by enslaved people), Irish ballads (when facing oppression and land seizures from the English), Tibet (facing oppression from China), India (facing oppression from the English), Trinidad or other Caribbean countries (facing oppression from most of Western Europe, lots of socially conscious music sprang up from that). Remember that your required textbook for this class has some great examples.

2) Find information about that society from reputable sources. There are a lot of books on reserve for this course in Coe Library, so consider going to the front desk and leafing through. We live in the information age, so there are plenty of good resources online, but there are plenty of bad ones, too. Look for resources associated with universities (.edu addresses) or non-profit organizations (.org addresses). Oxford is the definitive publisher in this field. They have some online resources available, but they also have little books (with CDs) just like our required textbook. A list of those books is in the front part of our required textbook under “Global Music Series” and most if not all of them are in Coe. One note, Wikipedia is not a reputable source, but those sites often have links to reputable sources. It might be an OK way to start a search, but please do not cite a Wikipedia article.

3) Write a one-page introduction about how you will meet one or more of the first three global awareness objectives (earlier in this post) by the end of this paper.

4) Dedicate about a page and a half (sometimes more, sometimes less based on the society) and write what you now know about each of the five aspects of that particular society: political, economic, social, idealistic, and artistic (you do not have to emphasize this one too much). You can have those words as subheadings if you want to.

5) Write one to two paragraphs summarizing how you have met at least one of the first three Global Awareness outcomes (this can be similar to your introduction).

6) Create a page of references or works cited. I am not looking to give anyone a hard time about how you format these references, as long as they are consistent and they look good. Please do whatever format you do in your field (mine is APA, but we have a diversity of majors in this class).

Do you think the Trojan War can be considered a historical event?

Even before Heinrich Schliemann excavated at Hisarlik, scholars argued about the reality of the Trojan War. The ancient Greeks themselves had different ideas about it. Examine the current archaeological and historical evidence we have for the war and answer the following question. Do you think the Trojan War can be considered a historical event? Regardless of the position you take, state what you see as the main piece of evidence which either supports the war as a historical event or refutes it. REFERENCING: For this paper we would prefer you to use the MLA (Modern Languages Associatiou) in-text referencing style. (For those of you familiar with it the CMS (Chicago Manual of Style) system can also be used.)

Are these characters from a story, myth, legend or religious tale?

PAPER #1: VISUAL AND CONTEXTUAL ANALYSIS OF
WORK OF ART 200points
This paper gives you an opportunity to explore the museums of the New York
area included in this handout is a list of museums that you might explore for
this project. I hope that you have a chance to do that! However, if it is not
possible for you to actually go to the museum in person, you can go virtually by
looking at the website for each museum. The web address for each site is
included in the list.
On the front page of your paper, please record the following information:
1. Your name
2. Name of artist
3. Name of piece
4. Date/period
5. Present location (where you saw it either physical location or web
and PLEASE UPLOAD THE IMAGE AND GIVE US AN ACTIVE LINK )
6. Country or place of origin (where did it originally come from?)
7. Size of the work of art
8. Medium/media i. e. the materials out of which the work is made
9. Condition Ask yourself: In what condition has the work survived? Is it
exactly how the artist intended it to be seen? Or has it been damaged or
repaired, or altered? What is the evidence of change that I see?
(Obviously, this will only be a lengthy analysis if the work is old. If the
work is contemporary, simply note that fact.)
PAPER SHOULD BE ABOUT 4PAGESLONG, TYPED,
DOUBLE-SPACED WITH FRONT COVER (LIKE THIS ONE)
Please post your paper in the discussion thread that I will set up at the time of
the due date. Please upload your paper and include an image and a link to the
site where you saw it. No external research is needed for this project, however, if
you use any materials at all that come from outside sources, including the website
for the museum of your choice, you must cite it correctly using MLA format. This
is a link to the website in our school library that shows you how to format using
MLA (Modern Language Association) format.
Please upload your papers to Turnitin the link is in this module!
Hope that you guys have fun!!!
2
Procedure
Visitthemuseumorgalleryofyourchoice.Ifthereisamuseumyouwishtogoto
thatisnotlistedjust ask firsttomake sure itwillbe suitable. To find out specific
information about exhibition schedules etc. look at the websites.
The Brooklyn Museum of Art: www.brooklymuseum.org
Eastern Parkway, Brooklyn
Closed Mondays and Tuesdays, open until 11 pm the first Saturday of each
month
$3 for students with valid ID
The Guggenheim: http://www.guggenheim.org/new_york_index.shtml
Fifth Avenue at 89th Street, Manhattan
Closed Thursdays
$10 for students with valid ID
The International Center of Photography (ICP): http://www.icp.org
1133 Avenue of the Americas (Sixth Av) at 43rd Street, Manhattan
Closed Mondays
$7 for students with valid ID
Metropolitan Museum of Art (MMA): www.metmuseum.org
Fifth Avenue at 82nd Street, Manhattan
Closed Mondays (except holidays)
Price is suggested, so giving at least one dollar is fine.
The Museum of Modern Art (MoMA): www.moma.org
11 West 53rd Street (between Fifth and Sixth Avenues)
Closed Tuesdays
$12.00 for students with valid ID
Free with valid SUNY student ID/Free Friday evenings 6-9 pm
Neue Galerie: http://www.neuegalerie.org/
1048 Fifth Avenue (at 86th Street)
Closed Tuesday and Wednesday
$10 for students with valid ID
The Whitney Museum of American Art: www.whitney.org
Madison Avenue at 75th Street, Manhattan
Closed Monday and Tuesday/Friday 6-9 pm, pay whatever you want
$9.50 for students with valid ID (NYC public school/college free)
Rubin Museum of Art: www.rmanyc.org/
150 W. 17 St., NYC 10011
Closed Tuesdays
$5.00 for students with valid ID/Free Fridays 6:00-10:00 pm
3
Paper writing procedure
Visual analysis guide to prompt responses while at the museum
When you go to the museum/or visit online have a notebook in which to
record your observations.
Give yourself plenty of time to look all over the museum and then choose an
object to study in detail.
Look at the piece carefully and take notes on it in such a manner that nothing
escapes your attention.
After having answered these questions you will want to carefully edit and
restructure those comments to make your paper as clear and coherent a
description of the work of art as possible.
Please make sure that everything that you write is in your own words. I am
interested in your description and discussion.
Objectives:
I. Description of your emotional response to the work of art (About 1/2
page)
II. Demonstration of your ability to describe the subject matter of a work of
art found in a local collection. (About -1 page)
III. Demonstration of your ability to make a visual analysis of a work of art
in a local collection. (About 1-1/2-3 pages)
IV. Concluding statement to show how the manipulation of the subject and
form evoked your initial emotional response. (About -1-1/2 pages)
Attached to this handout is a guide to prompt responses while looking at your
work of art. After having answered these questions you will want to carefully edit
and restructure those comments to make your paper as clear and coherent a
description of the work of art as possible. Please make sure that everything
that you write is in your own words. I am interested in your description and
discussion.
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The following questions can be used as prompts to assist you to set down your
observations.
I. Description of your emotional response to the
work of art.
What is your first response to the work of art? How does it make you feel? What
are your initial reactions?
II. Discussion of Subject matter
Subject matter is the theme, the objects or the environment that you see in the
image
(Remember that not all of these questions will be relevant to your chosen
piece, just pick the questions that help to lead you through your description)
I. What kinds of objects/things/people do you see in the work that you are
analyzing?
Who or what are they?
Are these characters from a story, myth, legend or religious tale?
Do they refer to an historical event?
2. Is it a still life (a group of inanimate objects) or a landscape?
3. Is the landscape of a real place or is it imaginary?
4. Is it nonrepresentational?
Is it hard to make out any references to the visual world?
Is the work made up primarily of shapes, colors and other elements of form that
appear to have little or no reference to any thing outside themselves?
III. Formal/Visual analysis
In describing a work of art there are several kinds of properties that it is useful to
observe and analyze. Using visual elements of line, shape, color, light, texture,
mass you will now describe what you see.
(Remember that not all of these questions will be relevant to your chosen
piece, just pick the questions that help to lead you through your description,
and then rank them, describe the most important element first. It is perfectly
appropriate to spend more time on some of the elements than others. Some
elements are simply not as important.)
Line
Line is the visible mark left by a moving point. It is the dynamic trace left on the surface which
records movement.
How would you describe the kinds of lines do you see in your chosen image?
Thick or thin? Even or irregular?
How would you describe the function of these lines — what do they do? (For
example do they define shapes, make patterns, create the illusion of mass etc.)
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Shape
A flat, two-dimensional form which exists only in height and width
How would you describe the kinds of shapes do you see in your chosen image?
Are they primarily organic or geometric?
Light
Light illuminates our world. Light is an important component in the expressive potential of a workof
art. Sometimes light works upon the surface of a work of art, throwing shadows or highlightingform.
This effect is most common in a work that is three dimensional, like a piece of sculpture. In painting
and the illusionist arts the effect of light is also important. Light can be used to create the illusionof
mass, or texture. It can also be used to enhance drama by manipulation of the light source.
Consider how light is used in your chosen work of art.
Is it actual light falling over a solid object?
Is it used to create an illusionistic mass?
Is it used to create an effect of natural light?
Is it used as a spotlight to create an effect of enhanced drama?
Color
What kinds of uses and arrangements of colors do you see?
Warm Colors? (Reds, oranges)
Cool Colors? (blues, greens)
Neutral or achromatic Colors? (blacks, greys, whites)
Are the colors arranged as opposites (Complimentary colors)
blue/orange red/green yellow/purple
Is the color scheme composed primarily of local (i.e. colors as they are observed
in nature with no alteration) colors?
Is the color scheme composed primarily of expressive colors? (i.e. colors that
have been altered from their natural appearance to enhance an emotional or
expressive effect)
Space
Questions to ask if you are looking at a sculpture
Does the object interact with a real space? If it does, how does it? Do
elements project out from the center?
Does it seem to be self-contained with little intrusion into surrounding space?
Questions to ask if you are looking at a painting, print, collage or any other
two dimensional work of art
Does the object suggest an illusion of space? Does the illusionistic space
seem deep or shallow? How has this illusion of space been created? Is
the illusion of space created by overlapping or diminishment of size? an
atmosphere or by use of color? By use of a geometrical system?
Does the image appear to be flat?
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Texture
This refers to the tactile properties of the surface, i.e. what you could actually feel if you were totouch
the object
Describe the kinds of textures that you see. Are they actual textures, or are they
illusionistic textures?
If the work you are analyzing is a painting, what kinds of textures did the artist
create on the surface with the brush?
Mass
Mass is three dimensional. i.e. height, width and depth.
Questions to ask if you are looking at a sculpture
Is it an open form, extending out from the center into space?
Or is it a closed form, seeming to be self-contained with little or no intrusion into
the space surrounding it?
Questions to ask if you are looking at a painting, print, collage or any other two
dimensional work of art
Is an illusion of mass achieved by illusionistic means? How is mass used in your
work of art? Remember that in painting and the two-dimensional arts it is possible to
create the illusion of mass on a flat surface by juxtaposing areas of light and dark
and creating a range between them to create an illusion of light and shade, thus
creating the impression of solid mass. To manipulate areas from light to dark or
from black to white is called modeling. The technique of modeling from light to dark
to create the illusion of mass is called by the Italian word chiaroscuro
IV. Concluding statement to show how the
manipulation of the subject and form evoked your
initial emotional response. (About -1 page)
After having examined your emotional response to the work, and after having
described the subject matter and the form, you are now ready to move onto the last
phase of your project.
Now you have the opportunity to investigate how the artists manipulation of subject
matter and form has evoked the emotional response that you described in the
very first paragraph. (For example: The use of the dramatic contrast of colors
created a feeling of intense emotion or The use of the repetition of the undulating
line created a mood of relaxation or The importance of the Buddha was
emphasized by making him so large in relationship to his disciples)
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GRADING CRITERIA FOR WRITTEN ASSIGNMENTS:
100-96
Understood the ideas and requirements of the paper
Understood concepts of art and addressed all components relevant to the work.
Used proper adjectives and displayed an excellent grasp of writing about art.
No grammatical errors, excellent sentence flow and structure
95-90
Structured well and addressed all points relevant to the paper
Differs from the 96-100 papers in the writing style (96-100 papers have a definite
grasp of writing on art)
Citation problems (either lacks citations or cites improperly)
Very few grammatical errors
89-85
Understood the main point of the paper but needed some minor elaboration on
one or two elements.
Some grammatical errors/errors in sentence structure/punctuation
84-80
Could have benefited from a rough-draft revision
Grammatical errors/sentence structure/punctuation
Presented ideas and concepts but needed definite elaboration on more than one
element of the discussion.
Overall, presents great potential to be a better paper with proper revision
Student clearly understands the requirements.
79-70
Needs revision, several grammatical errors/punctuation/structure
Paper does not flow well between one or more paragraphs
Ideas presented are in need of much elaboration
Very few descriptive words
Student does not understand art terms or uses them improperly
Paper seemed to lack full effort
Student does not meet all requirements of the paper or neglects to use them
properly
60-70
Paper is poorly structured (grammar/punctuation), lack of revision.
Student does not seem to understand/follow paper requirements
Lack of coherent ideas relevant to the chosen topic
Below60-LL.
Plagiarism: When you are writing for any of your classes and, of course,
for this one, PLEASE REMEMBER THAT YOUR TEACHERS WANT TO HEAR
YOUR VOICE!!!!! This class is for you, for your development. Unless your
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teacher can hear your voice in your papers as well as in class or in office hours,
it will not be possible for them to guide you to reach your full potential, and
helping you to reach that full potential is what this class is about. So, although
there is a lot of valuable information available in the library and online it is vital
that you read it and then rethink it, put it into your own words, and always credit
the authors whose work you read for their ideas. If you copy the work, you not
only cheat the author and yourself, but YOU ARE DOING SOMETHING
DISHONEST. To present someone elses work as your own is plagiarism, and it
is a serious issue. When you take someone elses ideas it is stealing from them
and it is shortchanging yourself. For your own growth you need to think these
things out for yourself, in your own good head, using your own good thoughts
and judgment. So, from the start, we will get this straight, YOUR IDEAS ARE
WELCOME, YOUR SUMMARIZING AND COMMENTING UPON THE IDEAS
OF AUTHORS WHOSE WORK YOU ACKNOWLEDGE IS WELCOME, BUT
PLAGIARISM IS NOT WELCOME and will be viewed very seriously. It can result
not only in getting an “F” but can also result in disciplinary action by the college.
Plagiarism is against college rules and is a serious breach of academic ethics.
We will discuss how you should cite (acknowledge) other peoples work in your
papers both in class and also in our library visit. Always ask if you are not sure,
we are all here to help you to think and write for yourself.